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Wednesday, Nov 15, 2000 8:31 PM UTC2000-11-15T20:31:00Zl, M j, Y g:i A T

Heteroflexibility

The latest semantic ploy to keep sexual options open really pisses me off.

Heteroflexibility
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There is nothing like teaching college students to make a person feel hopelessly out-of-date. This fact first hit me at the tender age of 30. I was teaching what I thought was the hippest version of sociology imaginable. As part of my haute hipness, I had included readings on Elvis Presley. None of the students, however, had the faintest idea who Elvis Presley was. One thought that he might have been an actor. Another said she thought he had invented a diet because he had always been fat.

The generation gap between the students and me was bad enough, but then my teaching assistant, a nice man who was neither as young as they nor as old as I, decided to help me communicate more effectively the King’s cultural significance. “Elvis Presley,” he explained to the students, “was someone our parents used to listen to. He sang this stuff called rock ‘n’ roll. It came before rap music.”

The students nodded their heads, as if they had just remembered that rap music did not always exist. I shook mine, having realized for the first time that Elvis really was dead. And in Elvis’ death, I felt my own mortality.

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Laurie Essig is a professor of sociology at Yale University and the author of "Queer in Russia" (Duke University Press, 1999).  More Laurie Essig

Friday, Jan 27, 2012 4:42 PM UTC2012-01-27T16:42:00Zl, M j, Y g:i A T

Sundance: A great gay film, or just a great film?

Ira Sachs' "Keep the Lights On" offers a fearless portrait of the realities of gay love in 21st-century New York

Keep the lights on

 (Credit: Sundance)

PARK CITY, Utah — When we first meet Erik (Danish actor Thure Lindhardt), the New York documentary filmmaker who is the protagonist of Ira Sachs’ film “Keep the Lights On,” he’s got his hand down his pants and is describing himself to a stranger on a phone-sex line. (It’s 1998, so yes, such things still exist.) What he says is pretty accurate — 5-foot-11, blond and handsome, “masculine” — although we never get to confirm the “six-and-a-half inches, uncut” part. “Keep the Lights On” has plenty of explicit gay sex, but no NC-17 material.

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Andrew O

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Thursday, Jan 26, 2012 4:59 PM UTC2012-01-26T16:59:00Zl, M j, Y g:i A T

The polyamory trap

The right wants to use the "slippery slope" of polyamory to discredit gay marriage. Here's how to stop them

Supporters of same-sex marriage cheer in front of San Francisco's City Hall

Supporters of same-sex marriage cheer in front of San Francisco's City Hall  (Credit: AP/Darryl Bush)

Newt Gingrich may have scored political points by refusing to talk about an ex-wife’s assertion that he asked that their marriage be “open,” but he also thrust polyamory into the national conversation.

This was new territory for many people, but not for LGBT advocates, who hear about it all the time. Won’t legitimizing same-sex marriage lead to legitimizing polyamorous relationships too? If two men can marry one another, why not one man and two women?  This argument is a favorite of former U.S. Sen. Rick Santorum, the so-called Christian right and the right-wing blogosphere.

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Tuesday, Jan 24, 2012 1:20 AM UTC2012-01-24T01:20:00Zl, M j, Y g:i A T

When gay is a choice

Actress Cynthia Nixon says she "chose" to be a lesbian. Is the science of female sexual fluidity on her side?

Cynthia Nixon

Cynthia Nixon  (Credit: Reuters/Michael Caronna)

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This Sunday, in a New York Times Magazine profile, actress Cynthia Nixon threw political correctness to the wind when talking about her lesbianism as a “choice” — but her remarks are actually supported by mounting scientific research.

Regarding her late-in-life sexual orientation switch, the “Sex and the City” star said:

I gave a speech recently, an empowerment speech to a gay audience, and it included the line ‘I’ve been straight and I’ve been gay, and gay is better.’ And they tried to get me to change it, because they said it implies that homosexuality can be a choice. And for me, it is a choice. I understand that for many people it’s not, but for me it’s a choice, and you don’t get to define my gayness for me.

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Tracy Clark-Flory

Tracy Clark-Flory is a staff writer at Salon. Follow @tracyclarkflory on Twitter.  More Tracy Clark-Flory

Sunday, Jan 22, 2012 7:00 PM UTC2012-01-22T19:00:00Zl, M j, Y g:i A T

The invention of the heterosexual

The history of straightness is much shorter than you'd think. An expert explains its origins

A detail from the cover of "Straight"

A detail from the cover of "Straight"

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If you met Hanne Blank and her partner on the street, you might have a lot of trouble classifying them. While Blank looks like a feminine woman, her partner is extremely androgynous, with little to no facial hair and a fine smooth complexion. Hanne’s partner is neither fully male, nor fully female; he was born with an unconventional set of chromosomes, XXY, that provide him with both male genitalia and feminine characteristics. As a result, Blank’s partner has been mistaken for a gay woman, a straight man, a transman — and their relationship has been classified as gay, straight and everything in between.

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Thomas Rogers is Salon's deputy arts editor.   More Thomas Rogers

Friday, Dec 30, 2011 3:00 PM UTC2011-12-30T15:00:00Zl, M j, Y g:i A T

“I just came out to my 80-something father”

After my sister called me a homophobic slur, I felt overwhelmed by hatred. And I dialed our dad in angry tears

The author speaks at the 2011 TED Conference about his choreography, framing his political dance works within the tradition of devotional art

The author speaks at the 2011 TED Conference about his choreography, framing his political dance works within the tradition of devotional art  (Credit: James Duncan Davidson)

Inspired by the recently released film "Pariah," Salon teamed up with New America Media to run a series of coming-out stories by minority and immigrant LGBT youth. This is the final installment.

I don’t even remember how it began.

My eldest sister is in my apartment, screaming and yelling at me with a nonsensical fury. There is something about my not going to work. There is something about my going out late at night. Is this woman crazy? I shut down her every attack with calm but assertive responses, revealing the faults in her strange accusations. The exchange is escalating wildly, but she is unable to faze me. Finally, in an angry, spiteful resignation, she says, “You’re just a faggot.”

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Prumsodun Ok is an artist, teacher, curator, writer and organizer. His interdisciplinary performance works explore the tradition of Cambodian classical dance to address contemporary LGBT and social issues. He is a 2011 TED Fellow. He lives in Long Beach, Calif., where he is executive editor of VoiceWaves, a youth-led journalism project of New America Media.   More Prumsodun Ok

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